{"id":57,"date":"2013-09-20T18:41:27","date_gmt":"2013-09-20T18:41:27","guid":{"rendered":"http:\/\/studymusichistory.com\/19thcentury\/?p=57"},"modified":"2013-09-20T18:41:27","modified_gmt":"2013-09-20T18:41:27","slug":"assignment-tuesday-sept-24","status":"publish","type":"post","link":"http:\/\/studymusichistory.com\/19thcentury\/2013\/09\/20\/assignment-tuesday-sept-24\/","title":{"rendered":"Assignment &#8211; Tuesday, Sept. 24"},"content":{"rendered":"<p>Reading: <a href=\"http:\/\/studymusichistory.com\/19thcentury\/wp-content\/uploads\/sites\/2\/2013\/09\/Rossini-William-Tell.pdf\">Berlioz on William Tell<\/a><\/p>\n<p>Listening after the jump.<br \/>\n<!--more--><\/p>\n<p>&nbsp;<\/p>\n<p>Listening:<br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/embed.spotify.com\/?uri=spotify:user:onthegreyriver:playlist:2tOfG65bHtJCCI8o8smHe8\" height=\"380\" width=\"300\" frameborder=\"0\"><\/iframe><\/p>\n<p>In the comments: Cite a specific passage from Berlioz&#8217;s review of <em>William Tell<\/em>, and explain very briefly what that passage tells you about the aspects of music that Berlioz finds particularly valuable or interesting.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Reading: Berlioz on William Tell Listening after the jump.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-57","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/studymusichistory.com\/19thcentury\/wp-json\/wp\/v2\/posts\/57","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/studymusichistory.com\/19thcentury\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/studymusichistory.com\/19thcentury\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/studymusichistory.com\/19thcentury\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/studymusichistory.com\/19thcentury\/wp-json\/wp\/v2\/comments?post=57"}],"version-history":[{"count":4,"href":"http:\/\/studymusichistory.com\/19thcentury\/wp-json\/wp\/v2\/posts\/57\/revisions"}],"predecessor-version":[{"id":62,"href":"http:\/\/studymusichistory.com\/19thcentury\/wp-json\/wp\/v2\/posts\/57\/revisions\/62"}],"wp:attachment":[{"href":"http:\/\/studymusichistory.com\/19thcentury\/wp-json\/wp\/v2\/media?parent=57"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/studymusichistory.com\/19thcentury\/wp-json\/wp\/v2\/categories?post=57"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/studymusichistory.com\/19thcentury\/wp-json\/wp\/v2\/tags?post=57"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}